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 on: February 04, 2013, 12:26:05 PM 
Started by IntenseJim - Last post by rmayer
I got a Tone Hammer 500 and should have an SL112 soon.

It's a great amp at 4 lbs! It even sounds good through the 212. But I really like the sound with one or two of the 112s. I had the GS112 first, or I might have gone with the SL cab also. I went through a few Eden WTXs first, a bit less money, but the sound wasn't as natural as the Tone Hammer. Actually, the TH500 and one GS112 still seem to weight less than my DB750 in the rack case!

 on: February 04, 2013, 12:14:58 PM 
Started by IntenseJim - Last post by Fran Diaz
I got a Tone Hammer 500 and should have an SL112 soon.

 on: February 04, 2013, 11:05:26 AM 
Started by IntenseJim - Last post by rmayer
Aguilar DB750 with a GS212 cab + Aguilar TLC pedal. Thinking of adding a GS115 or GS210 (if I can find one) to the rig.
Update: Still have the DB750 and GS212, didn't like the GS210 and I needed a smaller amp sometimes.. I now also have an Aguilar Tone Hammer 500 head with two GS112 cabs. I can either use 1 or 2 112s or If I'm feeling really insecure I can use all three cabinets with the DB750, a 2.67 ohm load and approx 800 watts.

 on: February 01, 2013, 12:37:07 PM 
Started by TXBASS - Last post by TXBASS
One of the things that I love about my Sadowsky JJ4 is that the volume and tonality of each note
on the fretboard is almost perfectly dead spots, no hot spots,  no hot strings...(like an over powerful A string)  no weak strings (like a thin and weak sounding G string)...
Every note at every fret sings out with equal power and sustain. 

I thought it must be this one amazing bass...the J.  But now I've added a nicely cared for 09 Sadowsky P bass to my inventory and last night, gigging with it for the first time, I found that it, too, has the same balance of note at every fret.  I used to avoid going up the neck on the G string on my other P bass as much as I had to caress the A string to avoid booming loudness from it.   But now that is all in the past. 

How do you guys do it?  How do you accomplish such a balance of note and string output?  Is it in the pickups?  The wood?  The electrics?  The set up?   Is it all of that and more?  Do you have a secret supply of Mojo?  Whatever you're doing it's obvious that you're doing it right.

It's an amazing experience to play a bass that is so beautifully dialed in.

 on: January 30, 2013, 01:27:36 PM 
Started by bigRalph - Last post by Sadowsky
Have you tried the AC adaptors we sell?   Even with our Sadowsky approved adaptors, in noise sensitive situation, we recommend battery.  But our AC adaptors in general are quiet.   Our pedal requires a linear regulated power supply.


 on: January 28, 2013, 11:24:44 AM 
Started by bigRalph - Last post by bigRalph
I have one of the earlier Sadowsky external pre-amps which I enjoy using with my passive, non-Sadowksy basses.  Feeding it batteries gets old after a while. I have tried using various AC Adapters with it - all of them within the range of specification for a 9V battery replacement - and all introduce a loud hum.  Any suggestions?

 on: January 24, 2013, 04:54:56 PM 
Started by leroyd - Last post by rob2966
Live I usually only run through my Radial Bassbone.  The tuner is on the tuner output (not in the signal chain) and I have 3-4 effects pedals (flanger, OD, delay, sparkle drive) in a switchable loop.  It is a nice way to keep the occasional effect without killing the chain.  The Bassbone also has a nice DI so my amp is just used as stage monitoring.

 on: December 29, 2012, 02:03:04 PM 
Started by Sadowsky - Last post by juraj
hey Roger and Maurilio,thanks for your kind words!This bass is incredible!
Happy holidays!

 on: December 29, 2012, 12:51:44 PM 
Started by Sadowsky - Last post by Sadowsky
Hi Juraj,

You sound fabulous!  I posted the video on our Facebook page!
Have a wonderful New Year!


 on: December 28, 2012, 08:22:51 PM 
Started by Sadowsky - Last post by Maurilio
Juraj, how are you? You sound great as always! Happy holidays!


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